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Publishing, Radish Fiction, Updates

The Arrangement on Radish Fiction – Complete!

Hey All!

I’m dropping a quick post on here to let you know that my romantic-thriller novel, The Arrangement, is complete!

You can read the synopsis here! But be sure to download the Radish Fiction app on your phone or tablet to read all 31 episodes. 🙂

Thank you so much to any who have already read it and to any who plan to now that it is complete. Any views and support mean more than you know.

This whole experience has taught me so much about how I write and what my process is. I can’t say I loved every moment of it, but I can definitely say that it’s what I want to do for the rest of my life.

Happy Reading!

Radish Fiction, Updates

Radish Fiction Update

I was going to write some gushing blog post on how amazing the last few weeks have been sharing my writing for the first time. Honestly, I don’t think my numbers are that impressive for sharing work online. But, I still feel all warm and fuzzy thinking about how people are choosing to read my work!

I have 10 “episodes” up on the platform now with a little over 600 views and more than 130 subscribers. This seems like A LOT to me. But, looking at some of the other established writers, they blow me out of the water. (obviously, that comes with a readership and all that).

I figured, “oh, it’s probably mostly my friends and family reading.” But, I’ve learned that most of them want to “wait till the whole thing is up.” I’m completely cool with this! Yet, it makes me wonder…who is reading my work then?

STRANGERS! PEOPLE I DON’T KNOW ARE CHOOSING TO READ MY WORK! THAT’S SO COOL!

That fact alone makes me feel like I am finally “getting somewhere” with my writing. Like I’m starting to get more comfortable sharing my creative writing with people other than other writers.

So far so good. If you want to read it, check the synopsis out here! Then, download the Radish Fiction app on your phone or tablet to read the whole thing.

Happy Reading!

Publishing, Radish Fiction

Announcing My Serial Novel with Radish Fiction!

IMG_1974I am so excited to announce that my romantic-thriller The Arrangement has been accepted as a serial fiction series on the Radish Fiction app!

You can read the synopsis here!

This series is in a “Freemium” model. You can download the app for free, and read episodes for free as they are unlocked. Or you can choose to buy coins to gain access to unlocked chapters for advanced reading! New chapters, or episodes, come out every Monday and Friday, and episodes are unlocked for free reading after 7 days.

I am so excited to finally have a piece of my writing out in the world. I loved this story when I first wrote it two years ago for National Novel Writing Month and am thrilled to get a chance to develop it for a serial release.

It’s going to be a wild ride, so I hope you all can join me for it. I’m sure to learn a lot and grow as a writer. I’ll be sure to share as much as I can about the experience.

Happy reading!

Updates, Work-in-Progress 2

Trying New Plotting Styles

When I wrote the first draft of Clipped Wings (Work-in-Progress 2) my plotting style was, I admit, non-existent. But, with the necessity of seeing it all laid out for me, I’ve found it necessary to outline this next draft. I’ve learned a few things from outlining that my previous “pantser” lifestyle didn’t allow. The first, background is ridiculously important. The second, main character agency (whether they have it or not) is key to how the plot plays out.

Of course, I would be lying if I said I learned this all on my own. I spent about two months carving my way through Lisa Cron’s Story Genius. She spends a lot of time nailing home a few key points. Namely, emotion is incredibly important to why people keep reading a book, and cause-and-effect drive the story forward. At least, those were two things I got out of the book on my read-through with my current project in mind.

For Clipped Wings, I’ve found my main issue was agency. My main character very rarely made the decisions that led to her actions after the first “act” of the book. To fix the book, I need to fix the agency. To fix the agency, I need to fix what drives her emotionally. That means taking a deeper dive into her background to find what really makes her tick, as well as everybody around her (according to my interpretation of Cron). I am thrilled with what this is doing so far.

I don’t have everything put where it seems to fit quite yet, but I’m feeling much more confident that I’m on the right track. The emotions of all my characters seem to shine through more authentically and the conflicts that arise are already more realistic.

I’m not going to say that it’s all because of Story Genius, because a lot of craft books is what you bring to the table and read into them (e.g. what you’re looking for when you go into them). However, the few gems of wisdom I got out of it have really helped me so far, just as with some of the other great ones from my past writing courses used to.

Plotting

Now that I know what I’m trying to accomplish, I’ve started using scene cards. I’m sure I’d make Lisa Cron want to slam her head against a wall if she knew I wasn’t going full-out on her format, but I am using the scene cards to plot so far. I’m adding a few other things to them, including “tone” to remind me how I want the scene to feel to the reader.

I never used to be plotter (or an outliner) so the very fact that I’m doing this is a huge step in becoming a more conscious storyteller. At least, that’s how I like to think of it. I have a lot of material from my first couple of drafts I’d like to reuse, but I’m not going to hold onto it if it doesn’t fit this new outline.

This type of creativity gets me very excited. Everyday I feel I get to work on a project that is actually going somewhere.

Work-in-Progress, Work-in-Progress 2

Revision Revelations

I had two big revelations over the course of about 12 hours regarding two separate books. One, my work-in-progress that I had set aside to be completely reworked and re-imagined. The other about my current project that is in revisions.

Work-in-Progress 2 (Clipped Wings)

As I fell asleep one night, I had the first revelation. This one coursed through me with dread. The kind that tingles at the scalp and makes the hair on your arms stand up as it worms its way into your mind.

My book is written wrong.

Now, it’s not completely wrong. Just, some of major (maybe little things building onto each other) things that make the book fit together. Certain scenes don’t fit, certain themes don’t go all the way through, and certain tones just don’t radiate through the pages the way I want them. Fixable things.

I can fix it. I think.

What knocked me back the most about this thought was that I knew how I wanted the book to make me feel. I know WHAT I want to say, I just haven’t accomplished the HOW quite yet. I’m sure I’m not the only writer who has struggled with that over the course of hundreds of pages. The first section of my book is nearly spot on, but after that it seems to drop off. As if the current beneath its wings simply died out.

There are a few options I have in mind for fixes. Here’s hoping that those work out, or at least start to form some cohesion in my threads.

Work-in-Progress 1 (Safe Haven)

The second revelation I had came to me as I collected my things to leave my house in the morning for work. Sometimes ideas hit you like somebody striking you over the head with a two-by-four. (It’s both startling and inconvenient). I made sure to write it down as soon as I got to work.

What if the house was a character?

This one came for building out a concept from my previous book into something more like a character. The setting of the novel would act more like a character, have a purpose, and show grief just like the characters. I also thought that it might be more effective to show multiple POVs for the main inhabitants of that setting.

While I’m not currently drafting this one, I’m taking my time to pull together the characters and how I’m going to structure it. I want to make sure this one is done right since I feel a strong connection to the themes and the characters. I’m planning it as a duology and would love to write them together rather than as separate entities. But that means double the planning and double the headaches.

I’m taking this one as it comes, not stressing over it too much (haha riiight).